Creon spends much more time onstage in these three plays thanany various other character except the Chorus. His presence is for this reason constantand his words so an important to plenty of parts that the plays the he cannotbe dismissed as merely the governmental fool he sometimes seemsto be. Rather, he represents the very real power of human law andof the human need for an orderly, secure society. When we firstsee Creon in Oedipus the King, Creon is displayed tobe different from the citizen of Thebes. He tells Oedipus that hehas lugged news native the oracle and suggests the Oedipus hearit inside. Creon has the secretive, businesslike air ofa politician, i beg your pardon stands in sharp contrast to Oedipus, who tellshim come speak the end in former of everybody. While Oedipus insists onhearing Creon’s news in public and also builds his power as a politicalleader through espousing a rhetoric the openness, Creon is a understand ofmanipulation. If Oedipus is intent on speak what he method and onhearing the truth—even when Jocasta begs and pleads v him no to—Creonis happy to dissemble and also equivocate.

At present 651–690, Creonargues the he has actually no desire come usurp Oedipus together king since he,Jocasta, and also Oedipus preeminence the kingdom v equal power—Oedipus ismerely the king in name. This discussion may it seems to be ~ convincing, partlybecause at this minute in the play we space disposed to be sympathetictoward Creon, because Oedipus has just ordered Creon’s banishment.In solution to Oedipus’s hotheaded foolishness, Creon sounds likethe voice of reason. Only in the last scene of Oedipusthe King, when Creon’s brief lines demonstrate his eagerness toexile Oedipus and also separate him from his children, execute we watch thatthe location of king is what Creon desires above all.

Creon is in ~ his many dissembling in Oedipus atColonus, whereby he when again demands something native Oedipus.His honey-tongued speeches to Oedipus and Theseus space made all themore ugly by his cowardly effort to kidnap Antigone and Ismene.In Antigone, us at last view Creon comfortable inthe ar of power. Eteocles and also Polynices, like their father, aredead, and also Creon hold the very same unquestioned dominance that Oedipusonce held. The course, once Creon achieves the stability and also powerthat that sought and Oedipus possessed, he begins to echo Oedipus’smistakes. Creon denounces Tiresias, for example (1144–1180),obviously echoing Oedipus’s denunciation in Oedipus theKing (366–507). And, of course, Creon’spenitent wailings in the last lines the Antigone echo those that Oedipusat the finish of Oedipus the King. What deserve to perhaps most be stated mostin donate of Creon is the in his last lines he likewise begins come soundlike Antigone, waiting for whatever brand-new disaster fate will certainly bringhim. He cries the end that the is “nothing,” “no one,” however it is his sufferingthat makes him seem person in the end.




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